Mustafa Kirca | Comparative Literature | Best Researcher Award

Assoc. Prof. Dr. Mustafa Kirca | Comparative Literature | Best Researcher Award

Çankaya University | Turkey

Assoc. Prof. Dr. Mustafa Kırca, a distinguished scholar in English and Comparative Literature at Çankaya University since 2011, holds a PhD in English Literature from Middle East Technical University (2009). His prolific academic career includes 19 significant works spanning books, book chapters, and journal articles that explore comparative literature, postcolonial studies, translation, intercultural identity, and literary theory. His publications, such as The Art of Being: Haruki Murakami’s Killing Commendatore and Kierkegaardian Existentialism (2025), Comparative Literature in the Turkish Context (2024), and Milton Lost and Regained in Turkey (2023), showcase his ability to merge philosophy, literature, and cultural studies. With earlier works like Mapping Cultural Identities and Intersections (2019) and Multicultural Narratives (2018), Assoc. Prof. Dr. Mustafa Kırca has contributed to advancing global perspectives on identity, hybridity, and multiculturality. His research also extends to translations, narrative analysis, and literary criticism, positioning him as a thought leader in bridging Western and Eastern literary traditions. His scholarly trajectory reflects both depth and versatility, making him a strong candidate for the Best Researcher Award, recognized for his critical insights, international publications, and contributions that strengthen cross-cultural understanding in the humanities.

Profile: Orcid | Google Scholar

Featured Publications

Kırca, M. (2009). Postmodern historical novels: Jeanette Winterson’s and Salman Rushdie’s novels as historiographic metafictions (Doctoral dissertation, Middle East Technical University).

Özün, Ş., & Kırca, M. (2010). Iris Murdoch and her work: Critical essays. Columbia University Press.

Kırca, M., & Baktır, H. (2023). Milton lost and regained in Turkey: “Milton lost in Turkish republicanism.” In Milton across borders and media (p. 121). Oxford University Press.

Damasio, A. (2022). Hissetmek ve bilmek (M. Kırca & P. Gözel, Trans.). ODTÜ Geliştirme Vakfı Yayıncılık.

Kırca, M. (2022). (Western)Word / (Eastern)Image in My name is Red: An imagological reading of Orhan Pamuk’s ekphrastic reimagination. Ordu Üniversitesi Sosyal Bilimler Enstitüsü Sosyal Bilimler Araştırmaları Dergisi, 3.

Rundholz, A., & Kırca, M. (2021). Reading Rushdie in translation: Midnight’s children, postcolonial writing/translation, and literatures of the world. Translation and Literature, 30(3), 332–355.

Rosa Berbel | Literary Studies | Best Researcher Award

Mrs. Rosa Berbel | Literary Studies | Best Researcher Award

Mrs. Rosa Berbel, University of Granada, Spain

Rosa Berbel is a Spanish poet, literary scholar, and researcher pursuing a PhD in Lenguas, Textos y Contextos at the University of Granada 🎓. Her thesis explores ecopoetry in 21st-century Latin American literature 🌿. She teaches Hispano-American literature and literary analysis 📖, and actively contributes to research projects on ecofeminism, AI in literature, and Latin American poetics 🌍. Rosa has authored award-winning poetry collections like Las niñas siempre dicen la verdad and Los planetas fantasma 🏆. Her work is translated into several languages and adapted for film 🎬. She speaks Spanish, English, French, German, and Portuguese

Publication Profile

Google Scholar

🎓 Academic Background

Mrs. Rosa Berbel has pursued a distinguished academic path at the University of Granada. She is currently completing her PhD in Languages, Texts, and Contexts (2021–2025), with a dissertation titled “The Ecopoem and Its Forms: Cosmopolitical Figurations in 21st-Century Latin American Poetry,” supervised by Erika Martínez Cabrera 🌎📖. Previously, she earned a Master’s in Secondary Education (Language and Literature) in 2020–2021 📘, and a Master’s in Literary and Theatrical Studies (2019–2020) 🎭. Rosa began her academic journey with a Bachelor’s degree in Comparative Literatures (2015–2019), laying the foundation for her interdisciplinary literary career

👩‍🏫 Teaching Experience

Mrs. Rosa Berbel has developed extensive teaching experience under her predoctoral FPDI contract at the University of Granada (2022–2026). She has taught Spanish Literary Text Analysis (2022–2025), Latin American Literature from the colonial period to the present, and courses within Comparative Literatures and Hispanic Philology 📚. In addition, she has conducted numerous specialized workshops and seminars, such as Poetry in the New Normal, Ecopoetics and Ruins, and Poetry and Ecology 🌿. Her teaching extends internationally, including sessions at La Piscifactoría (Madrid) and the Ludwig-Maximilians-Universität of Munich (Germany)

🔬 Research Experience

Mrs. Rosa Berbel has actively contributed to several research projects at the University of Granada, including Technologies of the Writer (2024–2027), Ecology and Ecofeminism in Colombian Literature (2024–2026), and LETRAL: Politics of the Common in 21st-Century Literatures (2019–2024) 📖. She also participated in the Postdramatic Temporalities project in 2023. She is a member of the “Hybris” research group on Latin American literature and the IBERLAB Scientific Excellence Unit 🌍. Since 2023, she has served as Editorial Secretary for the journal Letral, contributing to literary scholarship under the leadership of Ángel Esteban del Campo and Ana Gallego Cuiñas.

📚 Research Focus

Mrs. Rosa Berbel’s research primarily explores ecopoetics, eco-criticism, and feminist literary theory 🌍📖. Her scholarly focus lies in analyzing 21st-century Latin American and Spanish poetry through environmental, political, and gendered lenses. She investigates neorrural literature, multispecies alliances, and aesthetic responses to ecological crises ♻️🌱. Berbel also delves into intermediality, performative poetics, and geopoetics, highlighting how contemporary poetry engages with planetary concerns and posthuman futures 🌎✒️. Her research contributes to cultural studies, Latin American studies, and environmental humanities, bridging creative and critical discourse with a socio-political commitment to climate justice and literary innovation

Publication Top Notes

“Nuevas direcciones para la estética ecológica en la literatura española neorrural (2013-2020)” – 10 citations 📊 | Kamchatka | 📅 2022 
“Las niñas siempre dicen la verdad” – 7 citations 📊 | Ediciones Hiperión | 📅 2018 
“Los planetas fantasma” – 6 citations 📊 | Tusquets Editores | 📅 2022 
“Las fronteras del género: Intermedialidad y performatividad en la poesía de Lola Nieto” – 5 citations 📊 | Revista Sonda | 📅 2020 
“Hacia lo innombrable: mujeres de ojos rojos y arte feminista” – 4 citations 📊 | La tribu de Frida | 📅 2015 
“Cuerpo fantasmal, naturaleza herida: potencias utópicas en las Siluetas de Ana Mendieta” – 2 citations 📊 | Artnodes | 📅 2023 
“Materia vibrante: una ecología política de las cosas” – 1 citation 📊 | Theory Now | 📅 2023 
“Ecofeminismo y feminismo rural en ‘Tierra de mujeres’ de María Sánchez” – 1 citation 📊 | Revista Úrsula | 📅 2020 
“De/Sedimentation: The Geopoetics of José Watanabe and Soledad Fariña” – Bulletin of Latin American Research | 📅 2025 
“Geografía del miedo” (reseña) – Brumal | 📅 2023 
“Poesía joven en Granada” – Quimera | 📅 2023 
“Obra ressenyada: Geografía del miedo” (reseña) – 📅 2023 
“¿Qué hace la poesía ante la crisis ecológica?” – Congreso Humanidades Ecológicas | 📅 2023 
“Lenguajes artísticos para afrontar presentes complejos” –Congreso Humanidades Ecológicas | 📅 2023 
“Escrituras de la simbiosis: visiones ecopoéticas para el siglo XXI” – Formas del fin del mundo | 📅 2023 
“Pedro Lemebel: belleza indómita” – Revista Letral | 📅 2022 
“Escribir en Nueva York” (Prólogo) – Editorial Austral | 📅 2020