Assoc. Prof. Dr. Daniel Steinhart, University of Oregon, United States
Assoc. Prof. Dr. Daniel Steinhart is a prominent scholar in Cinema Studies, currently serving as an Associate Professor at the University of Oregon since 2014. He earned his Ph.D. and M.A. in Cinema & Media Studies from UCLA and a B.A. in Film Studies from Wesleyan University. His research explores Hollywood’s international production, global cinema, and videographic criticism. Dr. Steinhart has received prestigious fellowships, including an NEH Senior Research Fellowship and a Fulbright in France. He has taught a broad range of film and media courses at institutions like UCLA, Chapman University, and Columbia College Hollywood. At Oregon, he regularly teaches courses on U.S. Independent Cinema, Global Art Cinema, and Media Aesthetics. His work is widely recognized for advancing understanding of transnational film production and cinematic aesthetics. In addition to his academic teaching, he holds a Cambridge CELTA and has taught English in Barcelona.
Publication Profile
Scopus
🎓 Educational Background
Assoc. Prof. Dr. Daniel Steinhart holds a distinguished academic background in Cinema and Media Studies, reflecting his long-standing dedication to the field of film scholarship. He earned his Ph.D. in Cinema & Media Studies from the University of California, Los Angeles (UCLA) in 2013. His doctoral dissertation, titled “All the World’s a Studio: The Internationalization of Hollywood Production and Location Shooting in the Postwar Era,” offers a groundbreaking analysis of Hollywood’s global filmmaking practices and continues to influence research in transnational cinema. Prior to his doctoral studies, he completed his M.A. in Cinema & Media Studies at UCLA in 2006, building a strong foundation in media theory and film historiography. Dr. Steinhart began his academic journey at Wesleyan University, where he graduated with a B.A. in Film Studies with Honors in 2000. His comprehensive education has empowered him to explore the intersection of global film production, aesthetics, and cinematic history.
📚 Teaching Experience
Assoc. Prof. Dr. Daniel Steinhart has an extensive and diverse teaching portfolio spanning film, media, and cultural studies. At the University of Oregon’s Cinema Studies Department, he has taught key courses such as Production Studies, U.S. Independent Cinema, Contemporary Global Art Cinema, Media Aesthetics, and Cross-Border Hollywood. Previously serving as Assistant Professor, he also led courses on Videographic Criticism, Film Festivals, and supervised graduate independent studies. In the School of Journalism and Communication, he taught courses like U.S. Film Industry, Global Hollywood, and Understanding Disney. Beyond Oregon, Dr. Steinhart held lecturer roles at UCLA, Chapman University, and Columbia College Hollywood, covering topics from Classical Film Theory to Critical Analysis in Cinema. He has also served as a guest lecturer on film historiography and European Art Cinema. With a Cambridge CELTA, he taught English in Barcelona and consulted for media firms. His pedagogical range reflects deep engagement with both theory and industry practice.
Research Focus
The individual’s research primarily focuses on the internationalization of Hollywood cinema, especially in the postwar era. Their scholarly work delves into runaway productions, foreign location shooting, and the transnational flow of film production from Hollywood to Europe and beyond. They explore how American studios adapted to economic, political, and aesthetic shifts by filming abroad, reshaping global cinematic landscapes. This research also includes analyses of film marketing, behind-the-scenes production culture, and the role of international film festivals in promoting global cinema. With a strong emphasis on historical and archival methodologies, their studies span books, peer-reviewed journals, and critical articles, emphasizing the cultural, industrial, and technological factors that influenced Hollywood’s global operations. Additionally, their critiques and festival reports highlight emerging trends in contemporary art cinema, further demonstrating expertise in both film history and media criticism. This places their research squarely within film and media studies, with a specialization in transnational film production and global media flows.
Publication Top Notes
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“When in Rome: Hollywood Runaway Productions, the International Film Service, and Rome Adventure (1962),” Historical Journal of Film, Radio and Television, 2025, cited by: 0 (recent).
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“Film It in France, Build It in Burbank: How To the Victor Paved the Way for Postwar Runaway Productions,” Film History 33(1), 2021, cited by: unknown.
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“The Making of Hollywood Production: Televising and Visualizing Global Filmmaking in 1960s Promotional Featurettes,” Cinema Journal 57(4), 2018, cited by: unknown.
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“‘Paris…As You’ve Never Seen It Before!!!’: The U.S. Marketing of Hollywood Foreign Productions in the Postwar Era,” InMedia no. 3, 2013, cited by: unknown.
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“Promoting International Cinema: Rotterdam Film Festival, CineMart, and the Hubert Bals Fund,” Mediascape, 2006, cited by: unknown.